Preface and apology
Some of the readers may know that I’m currently on vacation in Tokyo. I thought that from Japan, I would be able to post better, high quality matter. As it turns out, it’s very difficult to post anything larger than a tweet when all you have is a tablet and a smartphone. Well, today I finally got myself to Akihabara and got an external keyboard for my tablet, so I’m ready to brave posting again, but I still can’t promise these jungyo posts will be up to par – or even that I’ll be able to post them daily. I’ll do what I can.
The Jungyo actually started on April 1st. So I’m sorry about the delay. Let’s start!

🌐 Location: Ise Shrine, Mie Prefecture
The Ise Shrine is Japan’s holiest and most ancient shrine – the main shrine of the Sun Goddess, Amaterasu. The visit to Ise Shrine was not just your regular jungyo visit, intended to entertain the residents of small towns and let them share in the national sport. It’s a “Honozumo” event – sumo bouts that take place inside the precincts of a shrine. Sumo originated as an entertainment for the gods, and Honozumo events bring it back to its origins.
12 sekitori are absent from the Jungyo. This includes Kisenosato who – unsurprisingly – still has that problem in his left chest. It also includes every sekitori from the Takanohana stable, except for Takagenji. Takanoiwa’s medical certificate indicates mental stress.
That same Takagenji stood a long time at the edge of the dohyo. The sekitori were doing moshi-ai, where the winner of a bout stays on the dohyo and chooses his next opponent. Nobody chose Takagenji and he looked pretty frustrated.

Takagenji is used to having his twin around during jungyo.
While the rest of the rikishi were practicing, the Yokozuna performed a ceremonial dohyo-iri. This is much like the one performed in the beginning of every year at the Meiji shrine, with a few differences. First, at Meiji it is performed right in front of the main Shrine building. At Ise, the grand shrine is actually off-limits to anybody but high priests.
Second point, the Meiji shrine yard is hard cement. Here, the Yokozuna had to do their dance in the sand. Hakuho had a really hard time doing the seriagari (the part where he gradually rises):
伊勢神宮
横綱白鵬 奉納土俵入り#伊勢奉納相撲#白鵬 pic.twitter.com/JUXHDKaSSG— アッチ (@acchi54) April 1, 2018
Kakuryu managed it slightly better:
横綱鶴竜の奉納土俵入り#土俵入り pic.twitter.com/w7ARxMWYl0
— アッチ (@acchi54) April 1, 2018
As I said on Twitter, I’m pretty sure there were a couple of tsukebito that night who were muttering curses under their breath as they were trying to clean all the sand out of the fringes of the two Yokozuna’s kesho-mawashi.
Ah, you did notice that Hakuho is back and beaming, didn’t you? He was in a very good mood the whole day, and said that he was really eager to get back on the dohyo. When asked about the condition of his big toes, he said “so-so”, but was still wearing that big smile when he did.
The torikumi that day was in the form of an elimination tournament. Here is a demonstration of the kimarite known as “kekaeshi”. It’s a minor trip, usually accompanied by a pull that causes the rival to lose his balance.
白鵬の蹴返し@伊勢神宮奉納相撲#相撲決まり手 pic.twitter.com/phx5HbZ47v
— スモートフォン (@azechiazechi) April 1, 2018
Hakuho in a magnanimous mood, helping Chiyotairyu up. The final and deciding bout of the day was this:
伊勢神宮奉納相撲幕内トーナメントは白鵬が優勝。土俵下花道脇のちびっこには忘れられない思い出になるでしょう(^^) pic.twitter.com/0MukHmfWtg
— スモートフォン (@azechiazechi) April 1, 2018
That boy in the front row? He is not going to forget this visit to the shrine. And a very genki Hakuho takes the yusho for the day.
Note that dohyo, by the way. It’s not your regular beer-crate jungyo dohyo. It’s an old permanent dohyo. Many of those are scattered around Japan, in school yards and shrines. Not as pretty or straight as the one in the honbasho venues, but one where you really feel the Earth under your feet.



