Michinoku-beya Keiko

OMG.

Herouth found a gem posted by the Sumo Kyokai over on Youtube. Kakuryu is the top dog at this stable after he moved over after the death of Izutsu oyakata in September 2019. The yokozuna has taken up-and-comer Kiribayama under his wing, helping him crack into the joi at Maegashira 3 for the upcoming Tokyo tournament. Kiribayama and his development are also the subject of an interview from Nikkan sports in the thread below.

Underlying this is the issue of the degeiko ban and how many top wrestlers are unable to practice with their peers close to their ranks. As Herouth has also reported, both yokozuna have expressed their worries publicly about how that lack of degeiko will impact their performance. Hakuho has Enho and Ishiura to practice with but neither could really be called a peer to the greatest Yokozuna to have climbed the dohyo? For Kakuryu, the timing means that perhaps this is a perfect moment to take on a beefier Kiribayama.

Now that Kiribayama is in the joi he is able to have these practice bouts with the Yokozuna, who completely outclasses him so far winning all bouts. The bit about doing 300 shiko stomps each day tells me I need to up my game, 10-fold. We’ll see what this does to my legs. The interview also touches on COVID and how Kiribayama, and really many sumo wrestlers, have become virtual recluses, rarely going out but for the essentials and only if wearing a mask. The death of Shobushi still weighs on the Kyokai.

The video opens at the stable’s entrance with a close-up of the wood sign. When Tokyo opens back up, I hope to go visit and will take a selfie from out front. Once inside, the video zooms in to a wooden sign with the shikona of the staff and wrestlers, starting with Michinoku oyakata on the right. Next are the coaches Tatsutayama- and Urakaze-oyakata, yokozuna Kakuryu, makuuchi Kiribayama and makushita wrestler, Yuki. Then we see Michinoku-oyakata’s yusho banner from Hatsu 1991, when he was an Ozeki fighting under the shikona Kirishima.

In that title run he beat a young maegashira by the name of Akebono and finished things off with three yokozuna scalps in a row, Asahifuji (Isegahama), Onokuni (Shibatayama), and Hokutoumi (The Great Octogon, Hakkaku). Unfortunately Chiyonofuji and fellow Ozeki Konishiki were kyujo. (You’re damn straight I’d put that picture up on the wall by the front door. Shoot, I’d carry it with me to the grocery store.) Then we see the man himself, wearing a proper facemask, not one of the gov’t issue postage stamps, as he presides over keiko. The man in black appears regal on his floral zabuton. If Kiribayama wins a bout over Kakuryu will he throw it? I would. Enjoy!

Update (7/9/2020)

The Kyokai posted another practice video to Youtube! I will add further videos here, too if there are more updates…rather than create a new post for each one. Also, Herouth brings us more news in the degeiko-ban saga with Kakuryu’s appeal as the head of the players’ union. Lack of rigorous practice may increase injury risk, especially for those at small stables.

Keiko Peers

A few days ago I posted a visualization about Heya. I gave it the “Banzuke Dashboard” slot under the Data Tools menu above. I will also embed it at the end of this post but I wanted to play around with an idea reader Bbbut had in the comments section. This visualization digs further into the issue Herouth raised about worthy practice opponents for the heya-gashira (部屋頭), or top-ranked rikishi of a stable.

I set two baselines, one at approximate Juryo level, the other at approximately the Makuuchi level. A few interesting things come out. While Sadogatake stable doesn’t have any sanyaku wrestlers and seems to have faded a bit with the decline of Kotoshogiku and the yo-yo rise and fall of Kotoeko and Kotoyuki, the stable has a slew of fairly even ranked wrestlers. Kokonoe stable is also duking it out with Sadogatake and Oitekaze for “The Dawg Pound” moniker as the dog-eat-dog internal competition for status must be fierce.

With the default setting I used for the visualization, Ishiura is a peer of Hakuho and Hoshoryu is a peer of Meisei. In the latter case, we get a sense of the difference in quality from Herouth’s tweet below. Use the slider feature at the bottom to tighten or relax that “peer buffer.”

This is also useful to look into competition at stables with no sekitori, like Otake, Shibatayama and Naruto. I’m interested in what feedback you all may have for how to tweak the buffer. Looking at Sakaigawa, for example, I got the idea for a “veteran boost” calculation. Toyohibiki has been in makushita division for a while now but he has serious sekitori experience, having won three Juryo titles and spending nearly a decade in the top ranks. Despite the injuries and lack of mobility, he will still have a wealth of technique pointers to offer many of the youngsters. Myogiryu is a grizzled vet himself, though.

I have not updated this for the Natsu banzuke or with the various retirements. Toyonoshima, for example, is still in my Tokitsukaze listing. Even in retirement, though, he will still have a lot of experience to offer Shodai and Yutakayama.

Kanji Used In Shikona

The NHK has a great video (#43) about shikona in its “Sumopedia” but I thought I’d dive a bit into the statistics on the usage of various characters. Why? Because I’m always trying to improve my Japanese and the kanji is the most impenetrable part for me.

The Japanese Language is one of the biggest hurdles facing any sumo fan. If you’re just trying to catch up on news, few media outlets outside of Japan cover the sport on a regular basis and the Japanese Sumo Association often offers its press releases only in Japanese. There’s a whole other world to sumo fandom if you can learn the language. However, we don’t need to learn THE WHOLE LANGUAGE. We need to learn SUMO Japanese. It’s still a difficult prospect but it seems the best place to begin is with the shikona and just a handful of shikona can take us a long way.

First of all, a brief detour. The word Shikona is 四股名. Shiko, the “sumo stomp” excercise is the first two characters, with the character for name at the end. Memorize that last character if you hope to learn Japanese. You’ll see 名前 (na-mae) everywhere for “name.”

Back to the topic of characters used in shikona. This is a list of the Ten most frequently used characters, counting by the number of rikishi. Koto, for example, is used by Kotoshogiku (aka Kotokikutsuki) twice but I only count him as 1 distinct rikishi. One little side note is that characters used in Shikona include a few hiragana and katakana, not just kanji. Hiragana and Katakana are kind of inescapable and are crucial to anyone learning Japanese.

Character# of Uses# of Rikishi
114531243
2730683
3747650
4571510
5523458
6524430
7439380
8382353
9374349
10390336

The good news is, there’s only 223 or so kanji that are used in 25 or more shikona since the 1950s. The bad news is, there are 1028 characters used 24 times or fewer. This includes the 隠 (O) from 隠岐の海 (Okinoumi).

Yama, the character for “mountain,” is a wildly popular character not just because of all of the Asanoyama’s and Tochiozan’s, but also many Japanese surnames like Yamaguchi and Yamada — the latter which combines our Top 2. Yamadayama goes even further by surrounding the rice field with two mountains. Yamamotoyama, who even made an appearance in John Wick 2, bookends a book with two mountains.

Andy made another data viz? Oh, crap. There’s another 15 min down the tubes.

But mountain it’s not the most popular for rikishi from all prefectures. It’s in 3rd place after 土 and 佐 for rikishi from Kochi and fifth place after 安, 芸, and two versions of the possessive “no” (ノ and 乃) while the hiragana “no” is just after yama. This is because of the historical domain of Tosa (土佐) in Kochi and many location names within Hiroshima, including Aki (安芸). If you click on Shizuoka prefecture, the characters for Fuji (富士) bubble up to the top.

There’s another interesting, but predictable, aspect to kanji pairs like Tosa, Aki, Fuji, and Chiyo (千代). Shikona which use those characters are longer, on average, so the bars are orange to red while greener colored characters are used in shorter shikona (on average).

It’s also just interesting to see where wrestlers are coming from. Along with Tokyo, Osaka, Aichi, and Fukuoka (sites of the big tournaments) many wrestlers come from Hokkaido, including several yokozuna like Taiho, Chiyonofuji, Hokutoumi, Kitanoumi. Neighboring Aomori, home of Wakanohana I & II is also up there, along with Hyogo (next to Osaka and Kyoto), and Kagoshima have been hotbeds of sumo talent and the geography offers clues to the origins of many of their shikona.

In the past, I’ve had articles which tried to help decipher Japanese headlines, short articles, and tweets to try to help readers (and me) gather just a bit more information about sumo. Let’s face it, Shikona and sumo jargon (and medical/injury terms) are where Google Translate breaks down into word salad. If you can pick out the shikona and place names from headlines and articles, we can start diving deeper into the articles and tweets. This visualization and some of the others I’m working on will try to break down the hard part and help sumo fans focus on Sumo Japanese.

“Practice?”

Your not-so-humble correspondent cannot process the word practice (or the Japanese word keiko) without thinking of Allen Iverson. In the clip below, I skipped past most of his infamous rant on the topic, which begins around the 7:21 mark. I skipped forward to where he says, “How the hell can I make my teammates better by practicing?” (Gaa! The embed is not queuing it up the way I want. The quote is at 8:53.)

Enter today’s reporting from Herouth via Twitter. The ban on practice outside the stable will continue until the basho. In between tournaments, and especially in the lead-up to a tournament, top-ranking wrestlers travel to other stables to take on their would-be opponents. I’m taking liberties here with the point behind Iverson’s quote since the issue here is that a wrestler will ONLY be able to wrestle with their stablemates. But I do wonder how effective these degeiko trips are and am very eager to see how the first few days play out.

As she points out, Tamawashi and Ichinojo will not be able to face off against other sekitori until they climb onto the dohyo. I also want to point out that this means no sanyaku will be able to warm up against other sanyaku. While Daieisho has Endo, Takakeisho has Takanosho and Shodai has Yutakayama as peers in the same heya, this restriction against degeiko could mean there will be considerable ring-rust during “Act I” of the Tokyo Basho. To get a quick sense of how this will impact our top wrestlers, I again offer up the Heya visualization I created a few weeks ago (though the ranks have NOT been updated for the new banzuke).

Despite my inability to get the new ranks updated for everyone in time for this article the promotions and demotions will not, for the most part, be of a totally different class. For Arashio stable, Wakatakakage and his brothers will not be able to get pointers from other makuuchi wrestlers. Will this limit his ability to compete with the likes of Takayasu, Terunofuji, and Great Wall of Sadogatake?

In the past, the news that trickled out of these degeiko sessions has not always been a reliable indicator of a top wrestler’s fitness or ability to hold his own for a week of competition, much less two. I’m not looking at you, Tagonoura-beya — or perhaps I am? Takayasu’s top competition, aside from picking on the retired old geezers (I jest), will be Sandanme-ranked Akashifuji. Without the PR trips to take on Sadogatake or Isegahama powerhouses, will we be left with a more realistic picture of his prospects?

So, with much love to The Answer*, I lean toward agreeing with Herouth. Ichinojo’s in much the same boat as Takayasu. I’m not entirely convinced Shodai is going to have a huge advantage, or if Ikioi and Nishikigi will regain their sanyaku form, but it will be very interesting to see if Sadogatake comes out of this without needing an industrial case of Rustoleum.

* The Glove is Gary Payton as Todd pointed out. Allen Iverson was “The Answer.” The Answer to the question of, “Practice?”