🌐 Location: Ryugasaki, Ibaraki
On day 12, the Jungyo hit Ibaraki, the prefecture that proudly boasts a Yokozuna and an Ozeki. Almost every nobori in the venue had “Kisenosato” on it, with the occasional “Takayasu” and very few others. This was the first time a jungyo event takes place in the town of Ryugasaki.
Takayasu started his day practicing his tachiai with his tsukebito:
<夏巡業@龍ケ崎市>土俵下で立ち合いの稽古、髙安。#sumo #相撲 pic.twitter.com/Zjjic6sAqy
— 日本相撲協会公式 (@sumokyokai) August 9, 2018
This may have done him good, because later, he went on-dohyo to re-do his practice bouts from yesterday. If you recall, yesterday he went 7 wins and 13 losses, especially facing Onosho.
Today, the picture was completely different.
He had sanban with Asanoyama and Tochiozan, three matches and three wins against each of them. And he had 10 bouts with Onosho, and won 8 of them. That’s what playing at your home court does!
The main course in the Ryugasaki event, however, was Yokozuna Kisenosato. If you think Japan in general is swept by Kisenosato fever, Ibaraki is like the Vatican of the Kisenosato religion. And Ryugasaki in particular served as the Yokozuna-to-be’s home until his middle school days. An old teacher recalls his days as a child sumo wrestler in this video from NHK.
The man in the white shirt near the end of the clip is none other than Kisenosato’s father. I can’t see any family resemblance at all. He even speaks a lot more clearly than his son (I always suspect that if it weren’t for the subtitles, even Japanese natives wouldn’t understand half of what Kisenosato is saying. But maybe that’s just my horrible listening comprehension skills…)
Kisenosato, of course, featured in the okonomi of the day, having his rope tied:
And you already saw his bout with Kakuryu in the above video. Kakuryu’s left foot is still hovering 2 cm above dohyo level. At this rate, Kisenosato is going to be the sole Yokozuna in Aki.
But there were other rikishi visiting Ryugasaki as well. For example, Takakeisho was doing some heavy lifting. This time, no tsukebito – just a modest sack of dohyo salt:
By the way, Takanohana is on this Jungyo as a shimpan. In the previous Jungyo, as three of his sekitori were kyujo and tsukebito-beating Takayoshitoshi was suspended, he was taken off the Jungyo shimpan list and told to keep an eye on his deshi at home. But this time he was back in the Jungyo – and incidentally exactly the same sekitori and TYT (aka TJT) are in the Jungyo anyway.
The NSK’s and Takanohana’s strained relationship aside, while he is at the Jungyo, he seems to fill the time he is not in the black shimpan kimono with actual coaching to aforesaid deshi:
In some other corner of the venue, Takekaze, who is still off the torikumi (as is Goeido), used Chiyomaru as a teppo pole. And like a good pole, Chiyomaru wouldn’t budge. Eventually Takekaze decides to move the immovable, no matter what:
<夏巡業@龍ケ崎市>千代丸と豪風の稽古。#sumo #相撲 pic.twitter.com/Rs6fXveN3h
— 日本相撲協会公式 (@sumokyokai) August 9, 2018
I hope he doesn’t do the same to the teppo pole back in his heya, because that would mean serious damage… to the pole… 😜
Now, while we’re in goof mode, try to guess what Chiyomaru and Daieisho are doing here:
あっち向いてホイからのデコピン
デコピンは真ん中にやれと怒ってるｗｗ
めっちゃ楽しそ٩(๑❛ᴗ❛๑)۶#大栄翔#千代丸#龍ヶ崎巡業 pic.twitter.com/1jTfmNWJHb— ユカリーヌ ٩(•ᴗ• ٩) (@yukarii__nu) August 9, 2018
This is actually a Japanese game called “atchi-muite-hoi”. It’s based on rock-paper-scissors. First, the two participants do rock-paper-scissors. Whoever wins moves his finger up, down, left or right, and the loser moves his face up-down, left or right. If the finger and the face go in different directions, nobody wins and the game starts again from rock-paper-scissors. But if the finger and the face go the same direction, the finger owner wins and the face owner loses.
Apparently, there was a penalty for the loser in this particular game: loser gets a dekopin. A dekopin is a finger snap to the forehead – usually quite painful. Rikishi get lots of those on the day they get their first chon-mage arranged. But as you see, that’s not exclusive. And Chiyomaru-tan seems to be quite merciful with his ‘pin.
Here is a (slightly off-focus) video showing the sanyaku soroi-bumi, the following three bouts, and the yumitori-shiki. Actually, the video starts with Kagayaki stepping off the dohyo as the winner of a bout. His rival of the day was Shodai.
The yobidashi couldn’t be more off-key. He could open an off-key opera with Gagamaru.
Shohozan scares me.
And Takayasu with a tsuppari show that wouldn’t have shamed Terao in his day.
As for the yumi-tori, you can see that Kasugaryu is still with us, despite Hakuho’s departure. But as it turns out, he is not the lone performer in this Jungyo as I thought at first. A new yumi-tori performer from Hakkaku beya has been trained. More about him in tomorrow’s instalment. So the “Always two there are” rule is still being kept.
Here is another, less unfocused, look at that musubi bout:
At the end of the day, the dohyo looked a lot less neat than in the image at the top of this post:
By the way, I wonder why they had the nobori dangling down like that instead of properly stretched on poles. This caused some funny effects. For example, this one seems to be saying “Kagayaki-zeki, the man” (男 輝関):
In fact, it’s a nobori for Kotoyuki-zeki (琴勇輝). Got to love Kanji. (Credit for this find goes to Azechi, the sumo camera man, aka Sumotophone).
Finally, here is your Enho for today. Yes, for some reason Enho was still on the tour at Ryugasaki. It’s not clear why, as he was taken off the torikumi, so it’s probably not a question of local popularity.
