Kisenosato Exhibit at Ryogoku Kokugikan

Sumo Museum - Kisenosato Exhibit Banners
Banners outside Kokugikan advertising the Kisenosato Exhibit in the Sumo Museum

While the name Kisenosato may have disappeared from the banzuke, the man himself continues to still be very much present in the world of sumo. Whether it’s making TV appearances or being visible at training in his new role as Araiso-oyakata, the man whose elevation to Yokozuna took sumo popularity to new heights continues to be a central figure within the sumo world.

Accordingly, merchandise and social media activations continue to be popular at honbasho, and the NSK has pulled another big look into the career of the 72nd Yokozuna out of the hat with a collaborative exhibit now taking place in the Sumo Museum inside of the hallowed walls of Ryogoku Kokugikan.

The Sumo Association has worked with the former Kisenosato to take items from his storied career on loan so that fans can get an up close look. The Museum is located near the entrance of Kokugikan, and is open from 10am to 430pm with free entrance on non-basho days (last entrance 4pm), and all day while the tournament is in session, with entrance restricted to ticket holders.

Unfortunately, photos are extremely prohibited inside of the museum. However, I went to Kokugikan today to have a look. With another sold-out tournament on the horizon, I figured this would be the best chance to savor the experience without having to battle the match day crowds.

Sumo Museum - Kisenosato Exhibit entrance
This is as far as you can get while taking photos – they are banned in the Sumo Museum

Items on Display

There’s no question the Association has done a great job working with Kisenosato to curate this exhibit. Those able to get to the exhibit will have a chance to see the following:

  • Kisenosato’s Unryu-style tsuna rope.
  • An akeni lacquer wicker trunk used by the Yokozuna.
  • A purple hikae-zabuton used by Kisenosato during a basho – these are the large cushions which you’ll see the rikishi sit on at the side of the dohyo while they await their turn to take the ring. Assistants take to make sure each rikishi’s personal hikae-zabuton is transported in and out of the main room of the arena before the rikishi enters from the shitakubeya dressing room.
  • Five sets of kesho-mawashi all used by Kisenosato and his attendants during honbasho and other events where he performed his dohyo-iri (ring entering ceremony). Some of these were quite stunning to see up close, particularly those that had one consistent design woven as a triptych across three aprons. Kisenosato’s collection featured a beautiful landscape scene, a striking red Mt Fuji against a black background, manga heroes, and more.
  • Tachi swords and kimono used by the Yokozuna.
  • A filthy old training mawashi, tabi (japanese style socks) and setta (sandals).
  • Photos from throughout his career:
    • His debut in sumo
    • Kisenosato with his former stable master Naruto (ex-Yokozuna Takanosato).
    • Kisenosato snapping Hakuho’s 63-match winning streak.
    • Deploying a kotenage while injured to beat Terunofuji in the epic playoff to seal his second and final yusho in Haru 2017.
    • His retirement and ascension to Araiso-oyakata
    • Visiting his supporters in Ibaraki Prefecture to thank them for their support during his career, and more.
  • Banzuke from throughout key moments in his career:
    • His banzuke debut in Jonokuchi, with a helpful arrow pointing out the tiny writing where he is listed under his original name Hagiwara.
    • His first banzuke at Maegashira, Ozeki and Yokozuna level, along with photos of him receiving those promotions.
  • A dark maroon shimekomi including the stiffened sagari cords with his shikona embroidered on the top – the craftsmanship that goes into even the small details is really amazing.
  • Goods and merchandise from throughout his career.

Visitors to the Sumo Museum at Kokugikan will know there is typically a TV in the room playing highlights of great moments from past basho. During the exhibit, this TV is playing all Kisenosato highlights, from his earliest moments before his hair was long enough for a top-knot all the way through to his retirement press conference.

Kisenosato/Araiso continues to be a hugely popular figure in the sumo world, so it is really great that the Association has continued to make efforts to curate events like this in order to provide moments for fans to connect with the sport.

The sport does and always will evolve. To be sure, not every retiring rikishi or even retiring Yokozuna will be afforded the treatment given to the 72nd Yokozuna Kisenosato, but the current exhibit is a fitting testament to his contributions to sumo. I would certainly encourage anyone visiting Tokyo in the near future to get over to the Kokugikan and check it out.

Takakeisho – Ozeki Denied (For Now)

Rising star Takakeisho pressed hard during the Hatsu basho to make the case that he should be promoted to Ozeki. Among sumo fandom, a general guideline is thought to be 33 wins for consideration by the NSK for promotion. To be clear, it’s not a standard of “win 33 over 3 basho and you get promoted”; reality shows that is the minimum for consideration. [It’s not even a minimum: Kisenosato and Goeido were both famously promoted with only 32 wins, and further back in time there were promotions with even lower totals. -lksumo] On the road to his 33rd win, Takakeisho has won a yusho, a jun-yusho, and shown that he can beat Yokozuna and Ozeki. For most fans, it was almost a foregone conclusion that his bid would be approved.

But following the Hatsu basho, the NSK committee of sumo elders concluded that in spite of winning a tournament, and nearly winning a second consecutive tournament, his performance was insufficient to qualify for promotion to Ozeki at this time. They encouraged him to try harder (?) at Osaka. Part of their citation was his loss to Ozeki Goeido on day 15, where the struggling Goeido overpowered Takakeisho and quickly ejected him from the dohyo. Later we learned that in the course of this match, Takakeisho suffered a foot injury.

Takakeisho, at 22 years of age, represents the next generation of rikishi who have been pressing hard to dislodge the old guard, and take their place in sumo’s top ranks. Young, strong, lacking chronic injuries that never quite healed, the rise of both the Tadpole and Freshman cohorts is part of the natural evolution of sumo that Tachiai has been forecasting for the past two years.

But it’s quite likely that western fans felt the young fellow was robbed by the curmudgeons in the NSK, who as of late have been working in increasingly mysterious ways. I was not, however, surprised that the NSK had decided to make young Takakeisho work a bit longer before he became Ozeki. It’s clear he is on an ascendant path, and with his youth, strength and quality of sumo, he will be Ozeki no matter what if he can keep from getting hurt. It is undeniable that the drama around both Sekiwake coming from recent yusho, and both working to make a valid Ozeki bid, will bring a lot of attention to the Osaka tournament, and with the Japanese Yokozuna now retired, the NSK needs compelling stories to keep the public engaged.

Quick Hatsu Review – Liam Loves Sumo

After a short break, I’m back with a short review of the 2019 Hatsu Basho. In this video, I briefly discuss the biggest ups and downs of the Hatsu Basho, surprises and disappointments, the Banzuke picture for the upcoming Haru Basho, and the big stories coming out of January.

I want to thank Bruce for encouraging me to post this to the front page. I’ve been brainstorming some new videos and content and I’m very excited to try them out.

Stay tuned, more sumo content coming soon!