Two Ozeki. What of it?

Terunofuji and Takakeisho are both coming off injury but expected to compete. Takakeisho’s kadoban status, though, means that his rank is officially on the line. Recent news of the slow progress of his recovery is starting to trickle out. This is making people nervous because if Takakeisho cannot win eight bouts, he will be demoted. We’re a little more than a week out and he’s doing sumo stomps and contact-free shuffling.

As for the Yokozuna, the hardware that’s usually adorning Terunofuji’s knees means that his status at the top of the banzuke is always a precarious one. As Yokozuna, he won’t need to have a kabu upon retirement, like Kakuryu. He has had more promising news as he participated in the massive sekitori cluster keiko at Tokitsukaze. But, a 15-day honbasho after a six month break? There will be no let up. The guys on his fight card want kinboshi and/or advancement. If Terunofuji is unable to compete at this level, talk of retirement might turn into reality of retirement. But, we really need two Ozeki!

From the kitchen, Nick Stellino pipes in: “Why?”

Great question, Nick, I’m glad you asked. Custom says we do, and that if we’re short, we use a reigning Yokozuna to fill in. Let’s take a look at this thing called the banzuke. The banzuke is the ranking sheet which lists wrestlers competing in a honbasho. Gyoji hand-write the characters on versions, like this wooden one that Josh saw in Osaka. They do so in a stylized calligraphy with larger sized text for those wrestlers of higher ranks, like Yokozuna and Ozeki, getting smaller and smaller as you go down the list.

Terunofuji has been listed in this curious Yokozuna-Ozeki category for several tournaments now. Before that, Kakuryu was Yokozuna-Ozeki back in March 2020. Again, Takakeisho was the lone Ozeki at the time, just before Asanoyama was promoted. Since then we have lost a number of Ozeki due to demotion, including Asanoyama, Shodai, and Mitakeumi.

But does this “Yokozuna-Ozeki” ranking somehow demote Kakuryu or Terunofuji on any of these banzuke or diminish their standing? No. Other Yokozuna have held this quirky little rank at times of Ozeki-scarcity: Chiyonofuji, Kitanoumi, etc. The issue here is that if Takakeisho loses his rank or if Terunofuji retires, there’s no Yokozuna to fill-in. If both happens, there’s no one. We had a “No-zeki” situation before, with Chiyonofuji’s promotion. But with three yokozuna, we had two Yokozuna-Ozeki. So, if this eventuality does come to pass where we don’t have enough coverage in the top ranks, what will happen?

Do not fret. There will not be a sumo-apocalypse, though I am rather curious about what would happen. The Kyokai has options available. Let’s see what they are.

Option 1: Business as usual

They can buck tradition and go with Sekiwake at the top of one side of the banzuke (or both, for that matter). All of that written about the custom and tradition would need a bit of an update, or an asterisk, but that’s not necessarily a bad thing. This sport has necessarily evolved over time, and will continue to do so. Tassels instead of posts at the corners of the dohyo, VAR booth and quality better than any football association, and “get your damn hands down!”…just to name a few of the more prominent changes. “Ozeki? Ozeki? We don’t need no stinking Ozeki.”

But then, I have questions. If the two Ozeki thing really is no big deal, (NBD as the kids say), what was the whole point of the Yokozuna-Ozeki? More than banzuke aesthetics, there was a reason for it, no? I had presumed the origins were to in the yin-yang style balance, or to formalize an ideal senshuraku match-up between the Champion on the East vs the Champion on the West. But that’s presumption. We know reality often doesn’t work out like that but from a PR and marketing perspective, it’s a great highlight.

I’m also a bit curious about the practicality, starting with the dohyo matsuri. Sanyaku wrestlers traditionally take part in this ceremony before honbasho but obviously aren’t in attendance at the ceremony when held at heya without sanyaku wrestlers. Does the presence/absence of fewer than two Ozeki matter in this ceremony, or others? It wouldn’t necessarily change anything about the makuuchi dohyo-iri, or sanyaku-soroibumi but there are other obligations of Yokozuna and Ozeki. On the banzuke, would Sekiwake be written at the usual size for Sekiwake, or will they write it in a large, Ozeki-sized font? There might be some deeper implications but these are admittedly minor quibbles and questions. If the Kyokai goes this way, they go this way.

Option 2: Early Promotion

Presumably, the Kyokai can summarily promote anyone they want to the rank of Ozeki. Hell, why not just keep Takakeisho at Ozeki until another earns the rank? I mean why demote someone under the old rules while promoting someone else according to new (emergency) rules. Here, my sense of fair play just gets all in a twist. Yes, Mitakeumi and Shodai rather under-performed once they got there — but they earned their promotions. (Curiously, Mitakeumi is not on the Kyokai’s list of Ozeki.)

If the next Ozeki is promoted to anything less than the previous standard, that’s a crying shame. It would also contravene the criteria stated on the Kyokai website, and likely stick in the craw of many a wrestler and fan. Past wrestlers whose Ozeki runs came up just shy would have right to be bitter…as would their supporters.

“Why?”

Oh, Nick, you startled me. You’re still here?

Where was I? Yes, Getting back to the Ozeki promotion…it’s is more than just ephemeral status, it has financial implications and real benefits and obligations — not just the weight of the office. This path of early promotion, though, comes along with the increased likelihood of yet another poor Ozeki reign and rapid demotion. Kotokaze was the solution to the Chiyonofuji/Hokutoumi situation above. He won that tournament at Sekiwake, with a 12-win yusho, and was promoted after 31 wins. He did go on to have a decent stretch at Ozeki. His reign was 5.5 Mitakeumis long. With the current crop of Sekiwake, this might be a very tempting option.

We apologize for the lame gag but Nick Stellino is living, rent-free, in the author’s head. Whenever he thinks, “why?” it’s somehow in Nick Stellino’s voice. We think the author needs therapy, or at least a weekend away from cooking shows.

Option 3: A Rose by Another Name

The Kyokai could also use competition to find the next Ozeki, which could take many forms but I will suggest the most legitimate form here. In May 2011, the Kyokai held a full, 15-day tournament but didn’t call it a hon-basho. As Asashosakari correctly pointed out in the comments of my previous post, that tournament was the first tournament of Kotoshogiku’s Ozeki run (although he did have 11 wins in Jan 2011). The results counted. Kotoshogiku secured his 33-win tournament.

So, Nagoya would go on as planned, everything counts, it’s just not a hon-basho. There’s no law requiring six hon-basho each year, as we learned during COVID. Before 1958, there wasn’t a Nagoya honbasho on the calendar. The issue with this is clear, though. It doesn’t necessarily result in a successful Ozeki promotion, bringing us back to where we started. Although, they could just hold another…and another…and another…until someone is Ozeki. Nothing changes, except the name. However, Asashosakari is right, it could lose its luster and be more sparsely attended if it’s not a “hon-basho” but I discount this since the results will still count. There is no scandal here, just a name change due to a technicality. But yes, it would be, “different.” I just think that difference will be more palatable than a “lesser” Ozeki.

Option 4: Go Completely Off Script

The Kyokai does hold other tournaments, not just honbasho. Often these are one- or two-day affairs during Jungyo. In February, though, there is the FujiTV Tournament. It’s an elimination-style tournament with a decent purse for the winner. The Kyokai could hold a similar competition, possibly just among the sanyaku, with Ozeki rank at the end. Since the result would be an out-of-the-ordinary run, there would understandably be a mental asterisk for whoever earned their promotion through such unconventional means but it would be more legitimate than Option 2. So long as the competition is more rigorous than rock-paper-scissors, there would certainly be some legitimacy on the outcome.

Wrapping Things Up

For those who fret about tradition and the future of sumo — well, there is not really a lot to fret about. Sumo will continue if we have fewer than two Ozeki; the situation is more of a curiosity than anything else. It’s not an existential issue, as in the Kyokai’s mandate as Guardian of Grand Sumo will not end. If it’s even a problem at all, there are workable solutions, no matter how rigid the “two Ozeki rule” actually is. I favor whatever method instills the most legitimacy on those wrestlers who hold the rank of Ozeki. Hopefully, it will be a moot point as this tournament ends in a blockbuster title race between Terunofuji and Takakeisho, and at least one solid Ozeki promotion.

Oh, and Ichinojo will retire. Sorry, that one snuck up on me, too. Apparently his back isn’t up to the competition, despite his recent treatment. We’ll have more on that as news is available. Quite the shock.

Here Comes Gen Z

The previous few years of sumo have been strange, no? Like it or not, we’re in a transitionary period. For the last decade and more, professional sumo has been dominated by wrestlers of the “Millennial” generation, men born in the 1980s and early 1990s. It’s been an incredible era, and it is by no means over, but with more and more of these Millennials calling it quits each year, and with the retirement of Dai-Yokozuna Hakuho in particular, fans have started to actively speculate over what our beloved Grand Sumo will look like in the future. With our heroes aging before our eyes, it’s only natural to ask, “What’s next?”

First, a short acknowledgement of the Now generation. Men like Terunofuji, Mitakeumi, Shodai, Daiesho, Ichinojo, Takanosho, and Takayasu continue to be relevant at the top of the sport, and a few, such as Abi and reigning champion Wakatakakage, seem only now to be peaking in their late 20s. Many of them will no doubt continue to compete at a high level for much of the next decade, but that’s not the point. The point is that one day soon, this group will no longer be competing exclusively against their peers. Gen Z is coming of age. They are the future.

Makuuchi

They are also, arguably, the present. It’s easy to forget because he achieved so much so early, but Ozeki Takakeisho is still only 25 years old! He and Onosho (25) shot up the banzuke in their early 20s and established themselves as contenders, but at long last their classmates are catching up. Komusubi Hoshoryu (22), fresh off his first successful campaign in san’yaku, has been an early bright star, and with his electric arsenal of throws and trips he’s already being saddled with high expectations as sumo’s next “chosen one.” So too are we expecting great things from M2w Kotonowaka (24) and M9e Kotoshoho (22), two stablemates with formidable size and strength who are right behind Hoshoryu, making strides up the rankings chart. Last but not least, M14e Oho (21), now a Makuuchi sophomore, completes the quartet of young rivals that fans have been watching eagle-eyed for the last several years. All four have displayed great promise at an early age, and I can’t wait for the many battles between them in the years to come.

Juryo

I’ve always thought of sumo’s second division as something of a waystation, a checkpoint where promising young wrestlers stop off to hone their raw talent until they pass up and through, and where aging veterans get one last hurrah on their way down and, eventually, out of the sport. Recently, Juryo has been flooded with the former kind of wrestler, and I think there are two in particular who should be on everyone’s radar. J5e Kitanowaka (21), a former high school Yokozuna, more than impressed in his second Juryo campaign, and with his size (190cm tall) and already mature yotsu style, we shouldn’t expect him to loiter at the rank. His counterpart, J12w Atamifuji, is only 19(!) years old, but he too seems to have all the physical metrics for success, as well as a maturity and skill level which is hard to reconcile with that baby face. Both young men will be top division players before year’s end, or I’m Hoshoryu’s uncle.

Makushita and Below

Set to join them are a host of budding talents—there are too many to name, but let’s try anyway. Literal giant Ms2e Hokuseiho (20), Hakuho’s protégé, and Ms1w Nishikawa (23), a university standout and ex-Ozeki Goeido’s protégé, will sit in pole position come Natsu. A 4-3 kachi-koshi should be enough to earn them both their salaries (Hokuseiho would likely still have his, if not for a knee injury in his Juryo debut last September). Close on their heels will be several of Nishikawa’s university teammates and rivals who had near misses for promotion in Osaka, including top-heavy Ms6e Kanno (23) and a pair of foreign-born powerhouses, 2020 College Yokozuna Ms8e Oshoma (24), and Kazakhstani sensation Ms4w Kinbozan (24), March’s Makushita champion. These last two are getting started slightly later than the rest in terms of age, but have exceptional university pedigrees and seem to be making light work of the lower divisions so far. Both seem to favor an overpowering oshi style, and both are ranked near Makushita’s pinnacle for May. I for one will be crossing my fingers to see their first professional showdown.

I would be remiss not to mention Ms4e Roga, also in the Makushita joi, who most should remember for besting the one and only Terunofuji in a Jonidan championship playoff during the Yokozuna’s first tournament back from injury. Roga has since stalled out in Makushita, but is still only 23, and shows great potential, if he can put it all together. Finally, watch out for these youngsters: Ms47w Yoshii (18), a former Hakuho Cup winner; Ms59e Kanzaki (22), another college standout who won the Sandanme yusho in his Grand Sumo debut; and a fresh-faced pair of stablemates, Jd21e Kototebakari and Jd21w Kotokenryu (both 18), who needed a playoff between them in March to sort out the Jonokuchi yusho. Kototebakari in particular we should watch with interest—not only did he win that playoff, but he is the kid brother of the aforementioned Kotoshoho, and it may not be long before the siblings are reunited in the top division.

The list goes on and on, but if there’s one thing left to say, it’s that sumo’s future looks bright. These kids are big (you can say that twice for Hokuseiho), strong, skilled, and hungry. So watch out world—here comes Gen Z.

Who will get the most wins in 2020?

The coming basho will provide us a fair dose of excitment and hot topics, as our Tachiai team rightly discussed in our podcast.

But the November basho – also known as Kyushu basho, until last year also marks sumo’s final tournament of the calendar year. It’s therefore possible to nominate sumo’s “MVP” right after it – that is, the rikishi who collected the most wins in the given year.

So, who’s still in contention for that honorific title ?

First of all, it’s worth reminding that this year’s numbers will be pretty low, since wrestlers will have competed in only five tournaments, instead of the usual six. Therefore, it comes as no surprise that we end up far away from Hakuho’s mouth-watering 86 wins out of 90, which we could witness in 2009 and 2010.

Last year, Asanoyama pipped Abi’s six kashi koshi and 54 wins overall, ending the year with 55 successful bouts. Hakuho came third with 51 wins, but, as we will see, the yokozuna is far from that standard this year.

Abi did a fine job last year, before 2020’s downfall

All in all, it has largely been Shodai’s year, and it’s no big surprise he leads the pack with 45 wins. Remarkably, Asanoyama is still in contention to regain first place, with 43 wins overall. Actually, he could very well pip Shodai here too, as Shodai spent some time parading after his promotion to ozeki. Can Shodai keep momentum and hold on to his two-win lead? We will soon get to know.

What about the rest of the field? There’s a small chance somebody else than Shodai or Asanoyama finishes first – but that would probably mean an unfortunate kyujo from both men. Indeed, Takakeisho is seven off the pace, having snatched 38 wins this year. And that allows us a fine statement: the three men with the most wins in 2020 compose in fact the ozeki triumvirat! Let’s hope the current state of affairs will lead to a fine 2021 year for all of three.

Last year’s “MVP”: ozeki Asanoyama

Also worth mentionning are Takanosho (37 wins), Mitakeumi (who, arguably, has not had a brillant 2020 year despite having collected 36 wins), Kiribayama (35) and even Tokushoryu (32 wins).

What about both yokozuna?

As mentioned earlier, Hakuho is far from the leaderboard, and even from decent Hakuho numbers. He actually has 24 wins combined, one more than his stable partner, Ishiura, but one less than his other partner, Enho!

Things are even worse for Kakuryu, who just announced his withdrawal from the November 2020 basho. That means he’ll end up the year with a forgettable 13 wins tally, which is actually just one win more than Tochiozan – who retired following the Haru basho, in March.

So, it’s Shodai to lose here. That should prodive us an interesting sub-plot while watching good sumo behind our screens – or live, for the luckiest of us!

Pre-basho warm up: a kanji review

A couple weeks ago, our reader Kiran asked me to write an article about usual kanji we see in the sumo world. What a great warm up idea, prior to the basho! I hope we’ll be able to translate a few new names without effort, come the last tournament of the year. I’d like to point out the fact that I’m no Japanese born speaker (actually, not a Japanese speaker at all), but did my best to produce a serious, reliable article. Please don’t recommand an intai, should you spot mistakes along the way!

Back to basics

A few kanji are not too hard to remember, I think:

  • 海 (“umi”, as in “Mitakeumi”) means “sea”
  • 風 (“kaze”, as in “Yoshikaze”) means “wind”
  • 竜 (“ryu”, as in “Kakuryu”) means “dragon”
  • 富士 is “fuji”, as in “Midorifuji”
  • 丸 (“maru”, as in Daishomaru”) means “circle”

Not as commonly seen, but not too difficult to remember are:

  • 若 (“waka”, as in “Wakatakakage”), meaning “young”, “youth”
  • 里 (“sato”, as in “Kisenosato”) refers to a small village, or “hometown”
  • 魁 (“kai”, as in “Kaisei”) means “pioneering”, “charging ahead” (thank you, @TheSumoSoul!)
  • 聖 (“sei”, as in, well, “Kaisei”) means “holy”, or “sacred”
  • 照 (“teru”), meaning “shining”, or, again according to @TheSumoSoul, “blasting”. Notable holders of that kanji are Isegahama beya rikishi: Terunofuji, Terutsuyoshi, etc.

Even less used, but as easy to spot are:

  • 碧 (“aoi”), meaning “blue”, as in “Aoiyama”
  • 翔 and 猿, giving the now famous shikona “Tobizaru”, meaning “flying monkey”!

Apart from the “Teru”, it has to be noted that these usual kanji do not give indication of the rikishi’s stable. Being common, they are used by everyone, so to say. For example, Mitakeumi and Okinoumi do not belong to the same stable; the same applies for Terunofuji and Hokutofuji.

Two kanji simply indicate the belonging: の and 乃, who both are pronounced “no”. More on that later.

Going further

What about 山 ? It means “mountain”, or “hill”. But here’s the first trick: it is pronounced either “yama”, or “zan”, like in “Asanoyama” or “Shohozan”, who share that kanji. That kanji is very interesting. It reminds us the fact that Japanese language has Chinese origins, which explains the fact that many words have at least two types of pronunciation. But both pronunciations refer to exactly the same thing – so it would be wrong to say that “yama” means “mountain”, while “zan” would mean “hill”, or the other way around.

Back to 山. Pronouncing it “zan” refer to ths Chinese origins of the kanji – where, by the way, it is rather pronounced “shan” (in Mandarin Chinese) or “san” (in Cantonese Chinese).

So, when should it be pronounced “yama”, and when is it “zan” (or “san”) ? Actually, the “yama” pronunciation is correct, only when the kanji is isolated. As a matter of fact, Mount Fuji (富士山) should be referred as “Fujisan”, not “Fujiyama”.

Less of a debate are:

  • 琴 (“koto”), actually a Japanese instrument, a kind of zither made of thirteen strings. That kanji is of course used by Sadogatake wrestlers: Kotoshogiku, Kotonowaka, etc.
  • 大 (“dai”, as in “Daieisho”; or “tai”, as in “Chiyotairyu”), meaning “large”, or “great”. Quite logically, a 大 横綱 is a “dai-yokozuna”, a great yokozuna. Contrary to common belief, it does not refer to each yokozuna who won at least ten yusho, but rather to one dominant champion, in a given period. For example, Harumafuji ended his career with nine yusho in his belt – but had he won a tenth, he would probably not have been given that title, as Hakuho naturally holds it.

Now let’s dig into the “taka” maze!

  • First of all, Takarafuji does start with “Taka”, but the first kanji, 宝 actually is “takara”, meaning “treasure”
  • 貴 (as in “Takakeisho”: 貴景勝) can mean “expensive”, “costly”, or can express nobility.
  • 隆 (as in “Takanosho”: 隆の勝) has a similar meaning: “noble,” “prosperity”.
  • 髙 (as in “Takayasu”: 髙安) means “tall”, “high”, and can only be used in first or last names.

If many rikishi possess another common kanji – the “Chiyo”, that one is fortunately easier to translate!

Indeed, 千 litterally means “thousand”, whereas “” refers to years, or eras. Put it together, the “Chiyo” – 千代 – is simply translated into “eternal”.

One kanji curiosities

  • 輝, Kagayaki’s only kanji, means “radiance”. That kanji is actually the last one of Kotoyuki’s shikona: 琴勇輝
  • 勢, Ikioi’s kanji, means “strength”
  • Sakigake’s kanji is actually the afore mentionned 魁 – “kai”!

A few entire translations

I hope not being miles off target with the last part of that article, but I think we have amassed sufficient knowledge for some not too difficult translations:

  • 碧山: “Aoiyama”, of course, means “blue mountain”.
  • Let’s try with former sekiwake Wakanosato: 若の里. We have 若, meaning “youth”, 里, the small village or hometown, and の, referring to the belonging. 若の里 could therefore be translated into something like: the hometown of the youth.
  • Nishinoryu is currently ranked sandanme 8. His shikona is written as follows: 西乃龍. 西 means “West”, 龍 is “dragon”, 乃 is also referring to the belonging. 西乃龍, hence, means “dragon of the West”.
  • Former komusubi Chiyotairyu: 千代大龍. 千代 means “eternal”, means “big”, means “dragon”: eternal big dragon!

Feel free to give it a try; there’s no nothing better than pre-basho practise! Hakkeyoi!