The Unpredictable Wizardry of Arashio

Arashio-oyakata (former Maegashira Sokokurai) promotes his upcoming intai-zumo event. Photo credit: Nihon Sumo Kyokai

Many rikishi are unable to craft a second act in sumo that’s as good as their first. That’s normal: the requirements to become an oyakata are such that you either need to create a career of some achievement, or just hang around long enough to have done your time in the dohyo and you’re then entitled to extend your career in the sport out of it.

In the former camp, there are plenty of oyakata who will have raised dozens of deshi over the course of their decades in the sport, never to see one come close to their own achievements. In recent years, former Yokozuna like Onokuni and Musashimaru come to mind, along with Ozeki like Chiyotaikai or Kirishima. Even the riji-cho, former Hokutoumi, who has raised plenty of top division talent, has yet to develop someone to even come close to his own achievements in the ring, as he nears the mandatory retirement age. Guys like the former Asahifuji (Isegahama oyakata) are rare: a champion who has raised (multiple) champions.

And on the flip side of the coin you have the long time coaches whose own careers didn’t amount to much beyond their longevity, but who have scouted and developed talent that has surpassed their own ability on the clay. The former Oginohana had a 44% winning record in the top division, never going higher than Maegashira 2, and he’s developed 3 time champion Ozeki Mitakeumi. Like his brother Terao, the former Sakahoko had a stellar top division career but never won a Yusho or made the top 2 ranks, and while the storied heya bearing the Izutsu name was more barren in later years, he still produced Yokozuna Kakuryu. Most famously of course, the former Chikubayama, veteran of a mere 2 tournaments in the top division, gave us the gift of record setting dai-Yokozuna Hakuho.

Over recent weeks, months and years, as many of our longtime favourites in the previous generation have gradually retired, our thoughts have turned to the question of “what kind of oyakata will they be?” Most people who read this site and some people who write on this site will be experiencing their first mass turnover of rikishi we have watched for years, as they become those blue-jacketed security guys we see next to the hanamichi when a rikishi is preparing himself for battle.

So the conversation has been: “wow, Hakuho has really recruited a lot of guys already,” or “Kisenosato is building an incredible new heya,” or “what’s going to happen with Takekaze’s new place now that he had Yoshikaze have split the rikishi from Oguruma beya” or “Goeido’s just branched out and already has a sekitori.”

But there was one guy that no one really talked about when he became an elder, and that’s ex-Maegashira 2 Sokokurai, who is now Arashio oyakata.

Arashio beya is a unique place. The previous oyakata, former Komusubi Oyutaka, coached for 15 years before branching out to open his own spot, and had a short and totally unremarkable sekitori career of his own. The heya became notable in later years among sumo fans for two things: 

If you have ever tried to visit a heya (in the before times), you’ll know that it’s not terribly difficult with the right connections, but that also a strict set of guidelines will apply for your visit. At Arashio beya, fans could simply walk right up on the street and peer in the giant window outside to watch morning keiko. The stable’s rikishi were known for being friendly with tourists and willing to snap a photo at the end of practise. It appears that after a stoppage to this practise during the pandemic, viewers may once again peep through the window to get a real live look at asageiko.

The other curiosity of this stable was the rise to prominence of its two cats, Moru and Mugi. During the days when rikishi were more able to share their lifestyle via social media, it offered sumo lovers and animal lovers a glimpse into the lifestyle where the stable’s rikishi cared for these two creatures. A coffee table book exists where fans can learn more. 

Oyutaka only ever produced Sokokurai as a sekitori over the 18 years he spent running the place, until Wakatakakage made it to Juryo just before he retired. Wakatakakage was always a talent of immense potential ever since his arrival on the scene, and is someone we’ve followed since his Sandanme tsukedashi debut. A skilled technician and incredibly athletic rikishi, it has been clear for some time that as long as his dedication and mental attributes were tuned to top level sumo, he could have a very high ceiling. This of course paid off in one way earlier this year as the now-Sekiwake clinched his first Emperor’s Cup.

It’s impossible to say whether Wakatakakage’s triumph was inevitable, but it is clear that since Sōkokurai took over the Arashio name, his coaching methods have translated to stark improvements in development across the heya. Both of Wakatakakage’s brothers had been languishing in Makushita, and Wakamotoharu has made a rapid ascent not only into the salaried ranks but all the way to the joi-jin, where he’s claimed an Ozeki scalp and taken the Yokozuna to the brink of a shocking kinboshi. He looks to be someone who can at least consolidate his place in the top division over the next couple of years, and certainly finish his career with the 30 sekitori basho needed to qualify for elder status himself.

The Onami family has some pedigree, with the three of Arashio’s Fukushima-hailing siblings descended from a grandfather who also plied his trade in Ozumo. But despite the lack of progress made by Makushita longtimer and eldest brother Wakatakamoto, the new Arashio-oyakata’s achievements don’t stop there.

Viewers of Makushita over the past several years will be familiar with Kotokuzan, the Filipino-Japanese rikishi who is surely sumo’s only Jasper. Kotokuzan (pronounced Ko-toku-zan, not “koto” like a Sadogatake beya rikishi) had struggled to make his way through sumo’s third highest division for nearly seven full years from his division debut until finally making the breakthrough to Juryo late last year. Kotokuzan is a pusher-thruster and possesses a very different style both to the other successful rikishi in his heya as well as how his shisho performed his own style of sumo (as a skilled yotsuzumo-technician) while he was active, and it’s perhaps most surprising of all that in his second bite at Juryo (after a quick demotion in mid-2021), he stormed his way into the top division.

Kotokuzan only has fought two tournaments as a Maegashira, both unsuccessfully and both looking somewhat overmatched, but at 28 still very much has time to solidify his place as a sekitori and go again. It wouldn’t be beyond the realms of possibility to see him settle into an Azumaryu or Daishōmaru style role in playing out most of his remaining career in Juryo, putting it together once in a while for a fleeting crack at the top division. It bears reminding that for a rikishi who didn’t seem to really look like he’d make the breakthrough to Juryo as of 3 or 4 years ago, that’s quite an achievement in itself. The success of Kotokuzan in recent years is perhaps the most indicative of Arashio’s ability to coax performances from his top talent, as other serial sekitori-impresarios like Kise, Oitekaze and, until recently, Oguruma-oyakata have shown the ability to get rikishi to the promised land with a wide variety of fighting styles.

While Arashio has never been a large stable, and very infrequently added new recruits, the new shisho has started to bring in his own deshi now that he’s got his feet firmly under the table. Famously sumo’s only Chinese rikishi for a period, and one who wasn’t short of opinions about the fate of his beloved Inner Mongolia region, it’s no surprise that his first foreign recruit hails from his own shusshin. Daiseizan has moved quickly to the top of the Sandanme division following three consecutive 6-1 tournaments, and that fortuitous banzuke placement this time out will give him a chance to make an auspicious debut in Makushita with a good score in the upcoming Aki basho.

16 year old Tanji has started his career with identical scores from his first two basho, and Jonidan pair Dairinzan and Sonoshun (18 and 19 respectively) may be intriguing prospects over the long term, with the latter the first rikishi to inherit his the prefix of his stablemaster’s shikona into his own ring name. We are in a period where other oyakata such as Nishonoseki, Naruto, Miyagino and others have been making waves for the sheer volume (and often quality) of their recruits putting their celebrity drawing power to good use, but it’s possible that the slightly more pinpoint recruitment strategy of the former Sokokurai will pay dividends for the heya when allied to his apparent coaching ability. And he seems more than willing to talk about his work, as evidenced by a series of appearances on NHK’s sumo content throughout the pandemic, showing how, as a new head of a stable, he was attempting to adapt his new home to the challenges presented by the unpredictable nature of COVID-19 in the sumo world.

Nishonoseki (former Kisenosato) has certainly positioned himself as a leader of the future by way of his remarkable rethink of what a heya should be, his political manoeuvring and what appears to be an interesting (if slightly voluminous) batch of early recruits. Miyagino (former Hakuho)’s pulling power and talent development has already made an impact on the top two divisions and had long before he hung up the mawashi himself. What Arashio is showing us is that there it doesn’t take a headline name to be an above average developer of talent, and that he does so in such a media- and fan-friendly environment is a welcome breath of fresh air in the sumo world.

An Ikioi Moment of Reflection

As good a time as any to bust out this old edit I did for Andy years ago…

As you may have seen or heard elsewhere, Ikioi retired last week.

This isn’t the post to do a comprehensive post-mortem on his career, I don’t really have the ability to eloquently summarise that right now or the patience to get “whatabouted.” Instead, the retirement of Ikioi instead makes me think about the passing of time with sumo, life, etcetera and so on. So, I want to talk about that. 

Ikioi was my favourite rikishi. I said that many times on this site, in podcasts, in interviews with other folks throughout the sumo world. There was something special and unique about him, even in the beginning, when I started following sumo, before I knew anything. At that point I think he was the only single kanji name in the top division, and he had a strange but powerful, relatable shikona.

Ikioi was all over the place. When I started watching the sport, he could just as soon rattle off 9 wins in a row as he could lose 13 or 14 in a tournament. He was a kinboshi threat, would go crashing into the dizzy heights of the san’yaku and be sent swiftly crashing back out of it.

His sumo was so intense. I always called it heavy metal sumo. For sure, that was partially influenced by my theft of that term from association football and that term’s association with the beloved manager of my beloved club. But it applied here. Ikioi only had one speed, which was all the way on.

A lot of rikishi say that their will is to do “forward moving sumo.” This is the only way that Ikioi ever really operated. From the tachiai he would rush in, grappling or thrusting or with a big right hand to the mawashi, normally with an attempt to just overwhelm the opponent, and dominate. Did he win? More often than not. Well, one time more often than not as his career 546-545 record would indicate. But it was the approach that was the exciting thing.

For sure, some of his mannerisms in the dohyo seemed to be influenced by my other great sumo love, Hakuho (even if his results certainly were not). There’s not really much denying that. As the iron man, he was ever present in the top division, famously never missing a day of work. Our friend Kintamayama described him at times variously as a “walking ambulance” or “walking hospital” owing to the state of the many bandages covering him and the challenges he often seemed to have in his latter years even entering and leaving the dohyo, always gingerly and sometimes with a grimace.

The first time I ever interviewed someone for this site, John Gunning explained the concept of shin-gi-tai: heart, technique, physique – the three qualities you need to be successful at sumo. It’s no good if you just have one or even two of them. To be great you need to have all of them. I’ve watched sumo at this point for many years (not as many as some, longer than others), and no one epitomises heart to me like Ikioi. Of course he had the physique to be successful in the top division and he sometimes displayed the technique to back it up, but it was his heart that kept him in matches he had no business winning, and it was his heart that kept him coming back onto the dohyo when his body clearly didn’t agree.

It has been said that of the three, perhaps that’s the most important quality.

I haven’t been in Japan for a while now. It’s hard to say I miss the basho experience because the experience that exists now isn’t the one that I and so many other readers of this site have had. So it’s not that I miss going to a basho, but I miss moments, like the one I had meeting the follower of Ikioi who showed up to Kokugikan in a Hanshin Tigers jersey and walked around the upper bowl of the arena for an entire afternoon holding up his Ikioi cheer sign.

A well known Ikioi fan graciously allows Tachiai to take his photo at Kokugikan in 2019

I have a deep love for the city of Osaka and there is just no replicating the atmosphere that the fans of that city provide to one of their own during the Haru basho. I was lucky enough to witness this in person several times for Ikioi. The Kansai experience is not for everyone it must be said, but I’ve often said it’s my favourite place to watch sumo and for me, watching this guy in that place was often the best part of all of it.

The worst part for me here isn’t the retirement, it’s the manner of it. And I don’t mean an injured guy dropping into Sandanme while the Kyokai works out a myoseki shuffle before he can retire. It’s that an Ikioi was robbed of that last appearance in front of hometown fans, much like a Kotoshogiku never got to make a final appearance in front of supporters in Kyushu. Those places would have provided the best backgrounds for these long serving veterans to make their final bow, to say nothing of long-serving lower rankers whose most passionate support, perhaps even the support that helped to keep them going, might have come from one of the regional basho.

We recorded some podcast content for Tachiai the other day, and Bruce remarked that much of this incredible class of the 00s has now ridden off into the sunset in their blue jackets as the wave of retirements of that generation of rikishi gathers pace. Just as the sumo world doesn’t stop, that progression through the ranks from rookie to retiree doesn’t happen in isolation – it’s hard not to think how the world has moved and changed around us as well. Of course, there will be another great generation soon, maybe we’re seeing the start of it now. If you’ve got a favourite rikishi, enjoy it. If you haven’t, maybe you and I will find one from this new generation soon. And let’s hope this mad world gets back to normal soon so that we can have special moments in our temples of sumo again.

Anyway, here’s that video of the main man hawking an iron, if you haven’t seen it. Enjoy. 

Asahisho Retires & Becomes Kiriyama Oyakata

Somewhat lost in the sumo news cycle this past week was the announcement of the retirement of popular former sekitori – and erstwhile Tachiai t-shirt wearer (via The Japan Times) – Asahisho of Tomozuna (originally Oshima) beya. His sixteen year career in sumo led him to a peak of Maegashira 11. Like many folks who entered sumo fandom at a similar time as myself, I actually discovered him as the low-ranking senpai to a disillusioned Kyokutaisei in the film ‘A Normal Life.’ Asahisho was well known throughout the sport as an affable and hilarious character and gregarious personality. What struck me while watching that film was the fact that if not for his good nature, perhaps another eventual top division rikishi-to-be might never have made it. In hindsight, it is a good testament to the stable, their hard work and friendship that they both did.

Of course, it’s a bit remiss to boil down a cool guy’s career to a cameo in an indie film loved mostly by hardcore devotees of the sport. John Gunning’s column from a few years back in the Japan Times goes far more in depth, as least as far as his personality and contribution to the sumo-as-entertainment landscape is concerned. Reading columns like these, with hindsight, makes me rue the social media ban even more, as we miss the opportunities to see little bits of day-to-day humour that special characters can contribute to what is a difficult daily grind.

Asahisho was recruited into the famed Oshima stable – a stable run by the former Ozeki Asahikuni and which produced big names such as, to name just a few, the Yokozuna Asahifuji (now influential oyakata Isegahama), the first Mongolian into the sport Kyokushuzan, the current Tatsunami-oyataka and former Sekiwake Asahiyutaka, and of course, the stablemaster to whom Asahisho has reported for the past several years, Tomozuna-oyakata, the former yusho-winner Kyokutenho.

Asahisho was one of the former Oshima-oyakata’s final products to reach the top division, coming shortly before his retirement and the stable’s transition through its merger with Tomozuna-beya and new leadership under Kyokutenho. While the latter years added the likes of long-time makuuchi man Kaisei to his daily training alongside Kyokushuho and Kyokutaisei, Asahisho never made it back to the top division after the stable’s change of leadership. Injuries and loss of form meant that after several years in Juryo, he dropped to Makushita where he spent the last four years languishing. He does, however, retire with winning records against san’yaku veterans Miyabiyama, Yoshikaze and Wakanosato, all of whom he now joins as an elder of the Kyokai, and all of whom he beat in his sole kachi-koshi basho in the top division (Kyushu 2012).

It’s likely the popular pusher-thruster will be more remembered for his non-sumo activity. However, though he was a noted member of a long line of “salt shakers” (see the video of this loss to Ishiura as a thoroughly impressive example, hat tip to YouTube’s Hokkaikochan) – a mantle these days taken up by ichimon-mate Terutsuyoshi, many fans around the internet remember his dame-oshi on a young and controversial Takagenji in a Juryo match that perhaps set the then ill-tempered prodigy straight after the youngster had made a name for himself with a string of disrespectful appearances in the second division (a comment noted both within Sumo Forum discussion of his retirement as well as his wikipedia page).

While that was to be one of the final acts of Asahisho’s sekitori career, his death metal appearance as a guitar player with Gagamaru, Tenkaiho and Toyonoshima in support of the “Move Band” fitness tracker still stands as one of the most iconic sumo brand partnerships of the decade (if not all-time!). No doubt he’ll be on screens and in the commentary booth plenty over the coming years (and it would be no surprise at all to see him team up again with the popular Tenkaiho, a longtime rival, as a host of the Kyokai’s YouTube features), but now that all four members of sumo’s “Move Band” are now retired, perhaps they can get the band back together!

Tachiai congratulates Kiriyama-oyakata on a notable career and looks forward to both seeing his impact on his stable’s recruits and hearing him in the broadcast booth!

A Sumo Fan Decides Which Stable to Join – Part 1

One of the most important but least seen aspects of sumo life is, well… your day to day life. It has been said that the daily activity, the keiko, the act of being a rikishi is what sumo is all about. The tournaments we see on television, on the internet or in person are simply the culmination of all of the processes, traditions and daily activities one must endure.

There can be a number of reasons why a new recruit joins a particular stable. Perhaps the stable master has a strong scouting network in his hometown, or there are links with the stable’s supporters group. Perhaps he was invited to spend time in the heya and loved it, went to the same school as the shisho, or simply idolised the stable master or had mutual friends with someone connected to the heya. Perhaps, as with Hokuseiho, the recruit had a chance meeting with the stable’s superstar rikishi in an airport. 

Let’s assume we have none of these personal connections, and decide to join a stable. Which one to join? In light of recent announcements heralding the future branch-outs of new stables from relatively recent top division names like Kisenosato and Takekaze, there’s much to be excited about in terms of the shifting landscape of sumo stables. Both of those guys have shared new ideas for their evolution of the place for which sumo’s lifestyle revolves – joining other recently minted oyakata such as former Kotooshu in attempting to push the sport forward. Of course, plenty of other stable masters have experienced incredible success with age old coaching methods or just good old-fashioned man management.

Our rikishi will be for all intents and purposes of average build and good (better than average but perhaps not superstar) ability. We can say they will be a little more technique driven than simply a pure pusher-thruster who relies on blunt strength and physicality. It will be someone for whom development will be required rather than being able to simply bulldoze the bottom four divisions and brute force their way to sekitori-hood. Like the author, this rikishi will be very handsome and surely will attract some of Endo’s brand sponsors should they ever make the top division. This is of course my analysis and these are my opinions, and yours may differ, and that’s okay. But if there were no subjectivity in sports, they probably would not be as interesting and we’d all have the same favourite teams.

With that preamble out of the way, we’ll start today with the smallest ichimon, Takasago, and work our way through the other four over the next few weeks before doing a deeper dive and settling on a final decision. Come with me on my journey!

Part 1 – Takasago Ichimon

Hakkaku: This stable is enormous (growing yet larger with the import of Azumazeki’s crew) and has quite a bit of upwardly mobile young talent. The influential and inspiring stable master – the current chairman of the kyokai – was a yokozuna, the coaching staff now includes the exciting former “Robocop” Takamisakari**, and in a few years, you probably report to Okinoumi, one of the more underrated technicians of the current time. While you’re probably starting your career scrapping for sleeping space with a large number of lower-rankers, the location of the stable in Ryogoku is also really good, about as good as it’s possible to get without waking up to the sounds of the JR line. There are no long commutes to Kokugikan from here. Verdict: On the shortlist.

Kokonoe: Chiyotaikai took over from an all-time legend in Chiyonofuji about five years ago, and has done well to develop many rikishi he inherited into mid-level sekitori. Additionally, various rehabilitative efforts have kept that impressive number of sekitori on the dohyo, or returned them to the salaried ranks after they’ve dropped out. Kokonoe-oyakata is a visible presence within the kyokai, but for all of the recruits he’s brought in, he hasn’t added a ton of quality since he took over a few years back. So when you see a stable of this size, you wonder whether the recruitment efforts are in service of a tsukebito factory. Verdict: This shikona won’t be joining the thousand generations of “Chiyos” – it’s going to have to be a pass.

Nishikido: An apparently dying stable with plenty of scandal in its history. It’s a hard pass.

Takasago: There’s some degree of uncertainty, following the retirement (and re-employement as consultant) of the former high-achieving shisho, who apparently still lives in the heya. The roster is a bit bottom heavy, but contains some inspiring talent to practise with (the soon to depart Ozeki, plus names like Murata, Asagyokusei and Terasawa), and the recent recruiting (Fukai, Osanai, Ishizaki) has been interesting. But it’s tough to go where you’re not sure what the future holds, especially with some degree of punishment awaiting the new oyakata for the Asanoyama scandal. Verdict: A reluctant pass.

** Azumazeki-beya would have been an intriguing option due to the legacy and heritage, but Robocop, lacking the support needed to run a heya, decided to move over to Hakkaku’s place and recently shut it down.