And the best basho of the 2010 decade is…

Admittedly, this article could have taken place at the end of last year. But slowly putting myself in the mood for the final basho of the year, I was thinking of past great sumo moments, and wanted to switch from an internal monologue to a broader discussion with you guys, sumo fans.

So my question is: in your opinion, which basho of the past decade would you consider as “the best” ?

Before we start, I’d like to point out the fact that this article will be purely subjective, and does not aim to be scientific or exact. I myself haven’t seen several basho from the beginning of the 2010 decade, so it’s likely I missed some great moments along the way!

I’d like to thank once again Jason Harris for his awesome coverage during the past decades, and his videos I took the liberty to upload here.

The favorites

1. Natsu basho 2012

Had this basho taken place somewhere between 2018 and 2020, the final outcome would not have appeared that weird. But back in 2012, that basho was truly an anomaly.

Seeing an under-par Hakuho losing to Aminishiki on shonishi quickly made it clear the yusho would be up for grabs.

The eventual winner, Kyokutenho, started indifferently, with a 2-3 record after five days, whereas the ozeki were largely disappointing. All, except one: Kisenosato, who had a comfortable two win lead after ten days. But Kisenosato being Kisenosato (and Tochiozan being Tochiozan)…

To sum up this basho, I could of course have selected the playoff, but Kisenosato’s final bout, against Baruto, impressed me quite a lot. The Estonian’s stubborn resistance at the edge, even though nothing was at stake for him at this point, is stunning. Kisenosato’s inability to finish the big guy off is all the more painful.

May 2012, day 15: Kisenosato v Baruto

2. Osaka 2017

Definitely one of the blockbusters of the 2010 decade. The Osaka basho 2017 is the tale of three men, one yokozuna, one ozeki and one sekiwake. Two months ago, all three were ozeki. Kisenosato got promoted to yokozuna, Kotoshogiku could not save his ozeki rank, whereas Terunofuji entered the basho being sadly kadoban yet again. And all three entered the dohyo in fine form.

The shin-yokozuna pleased a delighted crowd, day after day, winning the first twelwe bouts. Terunofuji’s knees seemed to finally let him produce his A-game, having lost just once in the process. Meanwhile, Kotoshogiku grabbed eight wins, and has to win the last two in order to complete what an ozekiwake wants to do: getting his ten, and reaching sumo’s highest rank again.

The rest is already part of the legend: an injury ending career, an infamous henka, a forgettable showing up on day 14, and a playoff of the crippled.

This time, I definitely chose to show the playoff, and not to bring further images of that Kotoshogiku – Terunofuji bout.

Osaka 2017, playoff: Kisenosato v Terunofuji

3. Hatsu basho 2019

My personal favorite, and the perfect definition of sumo chaos.

I can’t help but introducing that event with the usual pre-basho “bold prediction” thread from Grand Sumo Breakdown. Feeling that the upper ranks were far from their best, I predicted a total of no more than 30 wins, for all ozeki and yokozuna combined – that included Goeido, Takayasu, Tochinoshin, Kakuryu, Hakuho and Kisenosato, so an average of five wins per rikishi! Jason thought I was losing it; I held on my prediction. How many wins did those six eventually get? 30.

Back to chaos. First of all, this was Kisenosato’s last basho. After an encouraging 10-5 in September of last year, the injured yokozuna could not grab one single win in November or in January, and had to call it a day.

Kakuryu and Tochinoshin also did not end the tournament – with two wins for the yokozuna, zero for the ozeki. Goeido and Takayasu got their kachi koshi, but varely more (9-6 for both).

What about Hakuho? During the first days, he miraculously saved himself from seemingly hopeless situations – not without a bit of help of Tochiozan, who self destructed once again. Hakuho’s desperate fight against Hokutofuji was a particular highlight. He snatched the win, but injured his knee in the process, as we were to know several days after.

After the first days scares, the dai yokozuna seemed as good as ever – Herouth advised his stable to book a fish in advance, as Hakuho entered the last third of the basho with a two win cushion. From there, the yokozuna’s knee could not stand the effort anymore, and the basho ended up – of course – with a surprise winner.

I enjoyed Takakeisho’s win over Hakuho :

January 2019, day 13: Hakuho v Takakeisho

The outsiders

There were, of course, many more delightful sumo moments to enjoy during that decade. I remember Kisenosato’s fine effort on his quest for his first yusho, in May 2013, where he won the first thirteen bouts before succumbing to Hakuho and ending the basho 13-2.

Kotoshogiku’s unstoppable gaburi was fun, back in January 2016. After getting his kashi koshi as soon as on day eight, things became serious when he defeated Kakuryu, then showing Hakuho and Harumafuji who the boss is. His 14-1 yusho was stunning; perhaps even more than Goeido’s zensho yusho in September 2016, where  Hakuho was kyujo.

January 2016, day 11: Hakuho v Kotoshogiku

The Aki basho 2017 was symbolic in more than one way. The basho almost became a no-kozuna, as the only remaining yokozuna, Harumafuji, was seriously struggling with his elbow (how many no-kozuna have we witnessed since ?). It was also the Mongolian’s final yusho, before his sudden retirement a few weeks after. That basho was yet another anomaly – the last rikishi to win a yusho having sustained four losses was Musashimaru, in 1996.

Goeido’s meltdown was truly shocking – he had a three lead cushion to Harumafuji at some point. All in all, this basho’s scenario was really entertaining, much to Jason’s delight. 

Aki basho 2017, playoff: Goeido v Harumafuji

Jason would surely single out the Aki basho 2012, too. It saw Harumafuji’s second zensho yusho in a row, which prompted a fully deserved yokozuna promotion. On the other hand, Herouth might stress out Kakuryu’s yokozuna promotion, which took place in March 2014.

Aki basho 2012, playoff: Hakuho v Harumafuji

I would finally recall 2019’s Aki basho¸ which was really fun too, with many yusho contenders, and an enjoyable sekiwake duel between Takakeisho and Mitakeumi.

The Aki basho has definitely been entertaining during the past years. Would you pick one of the previous editions as your last decade’s favorite basho?

Baruto Features in Landmark NHK New Drama Series

Big news for former ozeki Baruto. He will be taking on the title role in a new drama on NHK called Ototo no Otto (弟の夫), “Brother-in-Law.” Those of you familiar with the kanji will be quickly clued in on why this is a landmark series – and it doesn’t really have to do with the fact that a foreigner is playing the title role. An alternative, literal translation is, “Little Brother’s Husband.”

In the US, this would be seen as rather tame. There are many gay and LGBT characters on TV and in movies. However, in Japan, especially the conservative NHK, this is a turning point. The description for Baruto’s NHK interview points out, “今までにない”, meaning until now, there’s not been a show of this type.

This is a big step for Baruto. He’s got Japanese citizenship and has been making his living as a TV talent and even recently he was giving MMA a try. But why is NHK introducing this show now? Personally, I think this series is being aired in preparation for the 2020 Olympics. The Winter Olympics in Korea featured many homosexual athletes so I presume there is a desire to normalize attitudes toward homosexuality before hosting the games. Western visitors are already accustomed to acceptance and could be seriously put off by having negative, discriminatory experiences.

The plotline is that Baruto plays Mike, the jovial Canadian husband of the lead character’s deceased brother. He goes to Japan to visit his husband’s brother, 弥一 (Yaichi?)…and awkwardness ensues. The awkwardness gives way to acceptance as Hisaichi’s daughter takes a shine to Mike. Perhaps sensing that this will be a bit of an adjustment for Japanese audiences, the lead role is Japanese and straight (divorced father) and the gay role is played by a straight foreigner who was a popular sumo wrestler. Breaking taboos is about baby steps. It also helps that the story comes from an award winning manga [hat tip to Herouth].

In Baruto’s interview, he was asked about food; he was a sumo wrestler after all, and stereotypes are really hard to break. :) Apparently, food-related scenes play a big part of the new series so they asked him what was most memorable. He said that while on set he made chanko for the cast and crew and that his chanko is pretty darn good. So while it’s not something that’s actually a scene from the show, he’s proud of it because apparently everyone loved it. I’m hungry now and am going to go have dinner.